Protege OWL is the web ontology language that has been given the thumbs up by W3

Freebase is (loosely) an open graph database, comprising of things and their relationships. The approach that is suggested for a web made of metadata strikes has a strong potential for a collaborative workspace, that is both peer reviewed and flexible to change. Freebase can be implemented through building bases, I will have to give that a go

An open initiative for meatadata design.
http://dublincore.org/documents/dcmi-terms/#terms-created

A specification for an ontology for music
http://www.musicontology.com/

and the group in discusion.

Jim Andrews will provide a retrospective showcasing several of his online interactive literary works such as “Arteroids” (2003), a shoot-em-up poetry game which allows you to save poetry from yourself and “Nio” (2001), a lettristically animated work of interactive audio
http://www.sfu.ca/siatclass/IAT805/January_11,_2012.html

I am very much looking forward to visiting the Rafael Lozano-Hemmer exhibition at the Sydney MCA.

Darcy McMurray and Katie Huisman from the Mesosphere crew will be performing a dance and music piece on Dec 3rd at Art for Impact

Saturday December 3rd, The Vinegar Factory
(1009 E. Cordova St. @ Raymur)

The performance and technology group In a Moment create interactive and generative interfaces for audience interaction with the sound, dance and graphics.

The focus for my artistic practice has centered on how people experience an artwork, both as a viewer/listener and participant. My work considers these things in the design and development of adaptive and interactive artwork systems. My formal education included topics in computational processes, digital art, electronics and music.

My current practice draws from this background in the research and development of technology based artworks. These works have been included in the Vancouver Winter Olympics and most recently Illuminate Yaletown 2011. I give consideration to creating a holistic experiences. So whilst the visual aesthetic is an essential element of my practice, other aspects such as interaction and sound provide an equal basis for my work. My current research is on how the public respond to large- scale interactive environments.